PLCS 2 (1999)

Published: 2016-09-13

Issue Description

Lídia Jorge in other words/por outras palavras
Guest editor - Cláudia Pazos Alonso (Oxford University)

The present volume features an array of essays on some of Lídia Jorge’s best-known fiction. Special attention is devoted here to A Costa dos Murmúrios, undoubtedly her most celebrated novel at home and abroad. The importance of its central theme–a personal recollection of colonial wartime in Mozambique that engages in dialogue with the highly fictionalized account featured at the outset of the book–would amply suffice to justify the interest it has elicited. But the original treatment which Lídia Jorge affords to her chosen theme enables her to problematize a wide range of issues close to the heart of modern readers (be they Portuguese or not), including personal and collective identity, memory, history, language, and representation itself.

Table of Contents

Front Matter

Introduction

Introduction
Cláudia Pazos Alonso
xi - xv
DOI: https://doi.org/10.62791/5avt3689

Articles

(Re)Telling History: Lídia Jorge's "O Dia dos Prodígios"
Lígia Silva
19 - 32
DOI: https://doi.org/10.62791/my5yp736
Sex and Success in "Notícia da Cidade Silvestre": A Tale of Two Cities
Cláudia Pazos Alonso
33 - 47
DOI: https://doi.org/10.62791/vj9fkx58
"A Costa dos Murm?rios": Uma Ambiguidade Inesperada
Paula Jordão
49 - 59
DOI: https://doi.org/10.62791/chqkqv07
Memória Infinita
Paqulo de Medeiros
61 - 77
DOI: https://doi.org/10.62791/ra9dg883
Back to Nietzsche: The Making of an Intellectual/Woman. Lídia Jorge's "A Costa dos Murmúrios"
Hilary Owen
79 - 98
DOI: https://doi.org/10.62791/cbxk5211
Donning the "Gift" of Representation: Lídia Jorge's "A Instrumentalina"
Ana Paula Ferreira
99 - 112
DOI: https://doi.org/10.62791/q597rj50
Da "Performance" Como Retórica (e Vice-Versa)
Maria Lúcia Lepecki
113 - 126
DOI: https://doi.org/10.62791/1brzjp12
Contingency and Loss in "Marido e Outros Contos"
Ellen W. Sapega
127 - 139
DOI: https://doi.org/10.62791/t06kbt52
Picturing Time: Some Photographs of Lídia Jorge
Memory Holloway
141 - 153
DOI: https://doi.org/10.62791/my3zgh21
O Romance e o Tempo Que Passa ou A Convenção do Mundo Imaginado
Lídia Jorge
155 - 166
DOI: https://doi.org/10.62791/k7acm448
Interview with Lídia Jorge
Stephanie d'Orey
167 - 174
DOI: https://doi.org/10.62791/mqb27178
Selected Bibliography
Cláudia Pazos Alonso
175 - 177
DOI: https://doi.org/10.62791/tvm9qy02

Reviews

Apresentação de "O Vale da Paixão" de Lídia Jorge, a 8 de Julho de 1998 na Livraria Barata, Lisboa
Elfriede Engelmayer
181 - 183
DOI: https://doi.org/10.62791/c81h5m84
On "The Politics of Postmodernity" Edited by James Good and Irving Velody; On "Classe, Status e Poder" by Hermínio Martins
Carlos Leone
184 - 188
DOI: https://doi.org/10.62791/0j6yqk54
On "O Romance de Corédlia" by Rosa Lobato de Faria
Leonor Simas Almeida
189 - 193
DOI: https://doi.org/10.62791/n5sq8094
On "Educação para a Tristeza" by Luísa Costa Gomes
Maria Eduarda Vassallo Pereira
194 - 199
DOI: https://doi.org/10.62791/1fra6874
On "Pedro e Paula" by Helder Macedo
Isabel A. Ferreira
200 - 204
DOI: https://doi.org/10.62791/waqg0r22
On "The Presence of Pessoa. English, American, and Southern African Literary Responses" by George Monteiro
Silva Carvalho
205 - 214
DOI: https://doi.org/10.62791/xkwnwx18
On "Fernando Pessoa & Co. Selected Poems" by Fernando Pessoa
Elide V. Oliver
215 - 224
DOI: https://doi.org/10.62791/b81qds69
On "Portugal heute. Politik. Wirtschaft. Kultur." Edited by Dietrich Briesemeister and Axel Schönberger
Paulo de Medeiros
225 - 229
DOI: https://doi.org/10.62791/hafbwt65

Back Matter

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