PLCS 30/31 (2017)

Published: 2018-06-04

Issue Description

Transnational Africas: Visual, Material and Sonic Cultures of Lusophone Africa

Editors – Christopher Larkosh, Mario Pereira & Memory Holloway

The scholarly articles and interview that comprise this double issue examine African visual, material and sonic culture by way of a broad corpus of examples from both within and beyond the uncertain boundaries of Lusophone Africa. Together, they reiterate the urgent need for a sustained transnational scholarly approach to Africa that allows for a shift in focus toward modes of cultural production in which written, spoken or recorded language is not the principal or sole medium of communication. This special issue is thus dedicated to advancing a more complex and inclusive model of Luso-Afro-Brazilian cultural studies: one that encourages a renewed conversation on the possibilities of cross-border paradigms of identity and alterity emanating from the visual arts, music, performance, material objects, and other common places.

Table of Contents

Front Matter

Editor's Note
Mario Pereira
xi - xii
DOI: https://doi.org/10.62791/vpy8y315

Transnational Africas

(Re)Bordering Lusophone and Transnational Africas: A Critical Introduction
Christopher Larkosh
1 - 15
DOI: https://doi.org/10.62791/yvj7zr74
Black Women’s Bodies in the Portuguese Colonial Visual Archive (1900-1975)
Filipa Lowndes Vicente
16 - 67
DOI: https://doi.org/10.62791/sfgt5h76
The Filmography of Guinea-Bissau’s Sana Na N’Hada: From the Return of Amílcar Cabral to the Threat of Global Drug Trafficking
Fernando Arenas
68 - 94
DOI: https://doi.org/10.62791/va3ttz37
Arquitetura Moderna Portuguesa na África Subsaariana
José Manuel Fernandes
95 - 113
DOI: https://doi.org/10.62791/0dz2dm03
Malangatana: Viagem Salvadora, Where Blood and Tears Run
Memory Holloway
114 - 124
DOI: https://doi.org/10.62791/8d7hbg21
Artes Plásticas e Movimento Nacionalista em Moçambique: Introduced, transcribed and edited by Mario Pereira
Malangatana Ngwenya e Paulo Soares
125 - 149
DOI: https://doi.org/10.62791/4sw6kq65
Art Topples Monuments: Artistic Practice and Colonial/Postcolonial Relations in the Public Space of Luanda
Nadine Siegert
150 - 173
DOI: https://doi.org/10.62791/n8d7kv71
“Muamba, Banana e Cola.” O Duo Ouro Negro e o Tropicalismo Desnacionalizador
Marcos Cardão
174 - 191
DOI: https://doi.org/10.62791/ya47t273
Dez perguntas para Ondjaki
Christopher Larkosh
192 - 196
DOI: https://doi.org/10.62791/88dqw983

Essays

The Orders of Discourse of Clamor Africano: Continuity and Rupture in the Ideology of Unitary Nationalism: Introduced and translated by Mario Pereira
Mário Pinto de Andrade
199 - 224
DOI: https://doi.org/10.62791/rqmwh657
De Onde Menos se Espera: A Disciplina do Terror em Lygia Fagundes Telles
Maria Manuel Lisboa
225 - 274
DOI: https://doi.org/10.62791/6mr9k989

Reviews

On the exhibit: "António Ole: Luanda, Los Angeles, Lisboa." Museu Calouste Gulbenkian, Lisbon (September 17, 2016—January 9, 2017)
Memory Holloway
277 - 279
DOI: https://doi.org/10.62791/q9awh945
On "Erico Verissimo, escritor do mundo: circulação literária, cosmopolitismo e relações interamericanas" by Carlos Cortez Minchillo
Dário Borim
280 - 283
DOI: https://doi.org/10.62791/50f0c853
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